Tag Archives: Beth Chatto

SUFFOLK PINK AT WYKEN HALL, A SHEET OF RARE NARCISSUS AT FULLERS MILL

MY TWO FAVOURITE SUFFOLK GARDENS READY FOR SPRING

maryMilky blue painted seat with Madonna and Child at Wyken Hall Gardens

We have just returned from a week of extraordinary snow in our favourite mountain village of Gargellen, Austria:

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Arthur and a fruit tree under heavy snow in Gargellen, Austria

At times the only way to track down a faint whiff of spring was to indulge in a little medicinal yet subtly fragrant Gentian root schnapps:

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Enzian or Gentian root schnapps

Back in Suffolk for an Easter holiday weekend and things are beginning to warm up.  I grab the chance to sneak off to my two favourite Suffolk gardens, Wyken Hall and Fullers Mill.

I head first to our near neighbours at Wyken Hall.  Here Sir Kenneth and Lady Carla Carlisle have created a richly coloured, welcoming homestead. They have developed a wonderful garden around their intensely copper-red limewashed Elizabethan Manor house, planted a productive vineyard and converted elegant barns into The Leaping Hare restaurant and stores – they also host a first class farmers’ market every Saturday morning. This is a place where careful thought, dextrous – sometimes daring – use of colour, and great style infuse every garden path, view and would-be naked gable end. Even the sign to the car park is richly painted with a velvety palette of plants to match:

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parking close up

The garden itself can be visited every afternoon except for Saturday until the autumn.  IMG_9563

From the moment you approach the house, the deep ‘Suffolk Pink’ of its walls and the series of blue painted rocking chairs under espaliered crab apples – the rocking chairs an echo of the verandahs of the Southern States of America where Carla Carlisle was brought up – create a wonderful sense of welcome.

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rocking establish

I love the almost dangerous choice of bright red Chaenomoles (ornamental quince) against the red limewash and the way the strong colour of the house enables even the dusty winter-pruned lavender to work a sort of silvery magic at this spare time of year.

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Red Chaenomeles and pruned lavender against rich Suffolk Pink walls

By early summer no tricks will have been missed – electric blue ceanothus will be adding another layer of colour:

ceonothusElectric blue Ceanothus adding another layer of colour, Wyken Hall, May 2010

As you make your way around the garden you pass through a small courtyard with a beautiful old copper container at its centre.  Every element of this space is suffused with the same rich, moody palette.  The aged verdigris container contrasts with yellow and royal purple of Viola tricolor which sings out between the tulip leaves.  In the border, the pale blue of forget-me-nots and the clear pinks of Cyclamen coum act as exquisite highlights to the soft red and darkest purple-black of the hellebores, and on the wall leading to the orchard sits a peacock, a swoop of rich green and blue.

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close up viola tricolorViola tricolor amongst tulips in copper urn

paletteHellebores, forget-me-nots and Cyclamen coumpeacockPeacock contemplating the orchard, Wyken Hall

As you enter the Hot Border – there is just a small taste of the outrageous colour to come – neighbouring stands of brilliant ‘Orange Emperor’ tulips and even deeper orange crown imperials – Fritillaria imperialis  – brilliant against the smooth dark green of the clipped yew hedge.

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‘Orange Emperor’ tulips and Fritillara imperialis against a clipped yew hedge

Looking back an the house the acid green of Euphorbia characias contrasts almost as vividly with the more demure planes of yew and box:

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Euphorbia characias with box and yew hedging

In every direction the views are strongly framed:

viewYew and box frame the view to the woodland beyond

Or there is a strong simple idea – such as these espaliered pear trees against a brick and flint wall underplanted with a stretch of iris…

pear tree iris allumEspaliered pear underplanted with Iris 

…and one more example of a wonderful, inventive gate – I love this simply made, Art Deco inspired stepped wooden gate revealing the life of the field beyond:

great gatePGWooden gate, Wyken

Around the house is a series of intricately laid out rooms – originally designed with the help of Arabella Lennox Boyd.  A pair of impressive standard white wistera with fattening buds provide substance and energy amongst the clipped topiary of the Knot garden, even this early in the season:

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wisteria budPair of standard white wisteria and fattening wisteria buds

It won’t be long before this garden room is alive with both white and mauve wisteria:

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Vintage Wisteria at Wyken Hall – May 2010courtyard

As the afternoon begins to cool off,  the next garden room, with four standard viburnum as centre pieces, is looking sober and beautifully ordered.  Even the lichen on the brick is an extra, gently decorative layer:

lichen tilelichen on diamond- pattern brick terrace

The garden at Wyken Hall is a masterclass in creating a sense of comfortable enclosure and  making sure that every place to sit feels inviting. This bench nestles between generous shapes of topiaried box and a pair of neatly pruned weeping silver pear, Pyrus salicifolia pendula.

IMG_9614Painted bench looking settled between topiaried box and weeping silver pear trees

Another old – rather pink-tinged! – photograph this time from 2004,  gives an idea of how bright and full this scene becomes later in the year:

BENCH SUMMER

In the cottage garden a friendly bench is placed invitingly beneath a window and at the end of the central path which leads through the front garden which is about to become a sea of colour:IMG_9567

Centrally placed bench, cottage garden

At another point around the main house, a table and pair of chairs look settled – where they might have felt a little lost and wrong in scale – positioned with the neat rectangle of clipped yew and wavy, bright gree hedge of Hebe as a backdrop and further anchoring device:

hebe taxusPGTable and chairs with yew and hebe as backdrop

There is a celebratory quality to much of the garden – a very pretty pergola of trained fruit trees is underplanted with starry blue Chionodoxa – I think Chionodoxa luciliae  –

pergolachionodoxaPergola underplanted with chionodoxa

There is a double gate leading invitingly to the pond just beyond the rose garden with its welcoming Adirondack chairs and framed pontoon.  Rummaging again through my boxes of garden photographs I smiled when I found this image of ten year younger husband, Nick, (funnily enough, mid very long work phone call …),  sitting on the pontoon in all its gorgeous full summer splendour.

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Pontoon and pond at Wyken in April 2015 and below in August 2004

Walking back to the front gate the garden opens out onto a quite splendid oak tree with a sea of cheerful narcissus lighting up the scene

oak tree and narcissusOak tree with narcissus

A path cut through this spring flowering meadow takes you to a half hidden glade with an arched seat painted in the same milky blue as much of the other garden furniture – this time with an inset panel of Madonna and child.

mown path spring meadowPath through spring flowering meadow

maryArched seat with Madonna and Child panel

The entrance to the glade is formed entirely and unashamedly of intensely scented winter/early spring flowering trees and shrubs – Lonicera x purpusii ‘Winter Beauty, Sarcococca confusa and a pink flowered Viburnum – (surely ‘x Bodnantense’ which would be entirely fitting as Kenneth was born and brought up in the wonderful house and famous garden at Bodnant in Conwy, North Wales).  I love the way the artfully broken path leading to the seat is scattered with jewel-like, navy blue muscari, more chionodoxa and delicate sheaves of pale narcissus.

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The entrance to glade is framed by scented shrubs

close up narcissus and chionodoxa

The broken path is strewn with sheaves of pale Narcissus

The garden at Wyken is a modern country garden with a now mature structure which acts as a fine backdrop to seasonal planting as it emerges throughout the year.

Beyond the garden, the shop and farmers’ market provide equally tempting seasonal delights and a chance to admire the most magnificent stretch of immaculately pruned and wall-trained figs.

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figWall trained figs at Wyken

pumpkinsAutumn pumpkin display at Wyken

I visit my other favourite, old friend of a Suffolk garden, Fullers Mill, the following morning.

IMG_3620Path through The King’s Forest, leading to Fullers Mill Garden

Fullers Mill near Bury St Edmunds is only about twelve miles away from Wyken. It is a completely different style of gardening and inspiring for its passion for nature and for its fascination with each individual plant.

You approach this extraordinary 7 acre garden along a track through the King’s Forest.  If you hit the right moment in June this part of the forest is waist high in shocking pink and purple foxgloves – and that is before you even arrive at Fullers Mill:

foxgloves fullers millThe forest path waist-high in foxgloves

Hidden away at the end of the path is an incredibly peaceful and very personal garden which has been carved out of not always hospitable soil around a mill house for over fifty years by Bernard Tickner. Bernard, nearly 91, has now given the garden to the charity Perennial but still lives there and with their help is still caring for –  indeed still extending and improving  – the garden.bernartd

Bernard Tickner on his almost daily round of Fullers Mill Garden

A passionate plantsman, Bernard still exchanges plants annually with his long-standing and much revered friend, Beth Chatto and over the years devoted as much time as he could away from his job as Head Brewer for Greene King to travel to Crete and the Pyrenees to seek out plants in their natural habitat. Years ago, renowned botanist John Raven – father of Sarah Raven – offered guidance as to the cleverest places to visit. Bernard has a Pyrenean fritillary named for him and in the shelter of a small private courtyard by the mill house itself is a tiny Cretan Iris named for his late wife, Bess.

On this early April morning, the garden is looking immaculate and fresh, with swathes of gentle red hellebores threading their way through the softly mulched space and the the acid yellow-green of Euphorbias catching the cool spring light:

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Bernard and I set off around the garden together. We stop first at a sheet of naturalised Narcissus bulbocodium :

IMG_9693IMG_9694Narcissus bulbocodium, Fullers Mill

Bernard is proud of his ever expanding display which started of as four or five small pots – this six by six metre patch has been encouraged by sowing yellow rattle to weaken the grass.

One of my favourite things about the way the garden at Fullers Mill has developed is that there is real space for plants to spread and be themselves. There is magnificent witchhazel for January and February, as elegant as a movie star in a cool skirt of snow and later flowering at full blast:

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Spreading Witchhazel at Fullers Mill

Today a mature Magnolia x loebneri ‘Leonard Messel’ lights up the woodland with its pale pink starry flowers. Under the magnolia, a large pool of the woodland dicentra, Dicentra formosa, is given space to thrive.IMG_9710

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Magnolia x loebneri ‘Leonard Messel’ underplanted with Dicentra formosa

Everywhere there are treasures to discover. Here a text-book healthy clump of Arum creticum with clear yellow spathes and long yellow spadices:

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Arum creticum

Close by there is a patch of lovely, pointyflowered Tulipa sylvestris :

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Tulipa sylvestris

and not far away a patch of the creamy yellow fritillary, Fritillaria pallidaflora:

IMG_9709Fritillaria pallidaflora

There is a wonderful specimen of the tree heather, Erica arborea var. alpina whose long, fragrant candle-like panicles make softly energetic patterns:

IMG_9712IMG_9717Erica arborea var. alpina

We pass under an enormous, tunnel-forming Cornus mas.  Even now, as its flowers lose the intensity of their yellow, the branches look fresh and pretty as they hang over the millpond in the spring sunshine:

IMG_9727IMG_9730Cornus mas 

And the still tiny leaves of the Cercidiphyllum japonicum – which will smell of toasted sugar in autumn – catch the light like hundreds of coins.

IMG_9739Cercidiphyllum japonicum

There is a lovely area of Fritillaria meleagris too:

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” I don’t know why they call it the snakeshead fritillary’ remarks Bernard “‘meleagris means spotted like a guinea fowl”.  A fair point.

By midsummer, today’s clump of exquisitely pleated leaves of Veratrum nigrum will be the base of statuesque flowerheads:IMG_9746veratrumpg

Veratrum nigrum leaves then flower

And the garden will be shoulder-high with a dazzling collection of lilies.  “They are not as difficult to grow as people might think”, sighs Bernard. As always with him it is a question of growing the right plant in the right place. “What they should shout from the rooftops is ‘good drainage!’ ” he cries out in his inimitable part deadly serious, part playful manner.

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Fullers Mill

Bernard Tickner amongst lilies, and lilies and campanula at Fullers Mill

Before I leave, I photograph Bernard next to the stand of plants for sale.  There is a new polytunnel in the garden and an exciting new commitment to propagate and sell as many plants as possible from the garden.  Fullers Mill is open to the public on Wednesdays, Fridays and Sundays, 2 – 5pm until the end of September. The quality of the coffee and walnut and lemon drizzle cakes goes without saying.IMG_9695

Bernard Tickner with plants for sale from the garden.


















































































LILY OF THE VALLEY ON THE FIRST OF MAY

GRACE KELLY, PARIS IN THE SPRING TIME AND THE “WORST OF ALL DELICIOUS” WEEDS

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Convallaria majalis var. rosea after the rain

On the wooden table outside our kitchen door I have a terracotta pot of the most elegant pink lily of the valley, Convallaria majalis var. rosea.  The pot was given to me as a precious container of newly planted bulbs by my friend the painter, Charlotte Verity .  The gift was important as it was a memento of an extraordinary year Charlotte spent as Artist in Residence at The Garden Museum in London in 2010.  Here in the shadow of the ruddy castellated walls of neighbouring Lambeth Palace, Charlotte spent a year painting in Tradescant’s Garden – the knot garden created in 1981 by the Dowager Marchioness of Salisbury around the important tomb of the Seventeenth Century plant hunters.

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Lily of the Valley 2009 – Charlotte Verity

Here amongst the formal framework of box with its spring halo of brilliant green, Charlotte’s observation of the garden’s plants was intimate and exquisite:

‘The medlar tree painting is taking a long time, the paint thickening and in danger of losing light.   Trying to get the direction of the branches the way they step back and forth, the silvery bark shining in the light and dark in the shadows” (extract from the wonderful diary she kept through the year and published by the Garden Museum).

I love the love lush fullness of her 2009 painting of white lily of the valley – in which the leaves almost battle for position.   Early twentieth Century plant hunter, Reginald Farrer describes lily of the valley as “the worst of all delicious weeds when it thrives” because of its  sometimes rampant tendency.  But as Beth Chatto writes in her nursery catalogue, conditions are not always easy to achieve and if one has “humus rich soil, among shrubs perhaps, where there is room for the wandering rhizomes … who would not plant lily of the valley for its heady scent in May and June and the chance to pick handfuls for the house”.

One of my favourite examples of the way lily of the valley can be grown to exploit this energetic tendency is the regimented mass of them in the walled kitchen gardens at West Dean College and Gardens in Sussex. Here amidst the covetable order of fruit tunnels, lined out vegetables and the ultimate gothic-gated apple house, lily of the valley grows in impressively deft order at the base of a beautiful flint wall.

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The Apple Store in the Walled Kitchen Garden at West Dean

Lily of valley west deanLily of the Valley at the base of a flint wall at West Dean

Charlotte’s painting of the pink lily of the valley she encountered in the Tradescant Garden at the Garden Museum is one of my favourites.  I love the way she has captured the spare, framing curve of the strong leaves which form an arch around the pale, silvery pink of the flowers, and I am moved by the clarity of colour given to the Convallaria against the deep earthiness of the background.  
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Convallaria Rosea 2010 – Charlotte Verity

If you should have a problem with over zealous species lily of the valley, choosing this less vigourous pink form or one of the Saville-Row-handsome variegated forms would be a rewarding move for a shady spot in your garden:

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Convallaria majalis var rosea – a present from Charlotte in September 2013

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Convallaria majalis ‘Variagata’

If you opt for the variegated route it is important to source your plants from a really good nursery. Beth Chatto is open about the trouble her nursery has had in the past with the handsome leaves of variegated lilies of the valley often reverting to plain green in a ‘disappointingly short time’.  The nursery now offers the seemingly steadfast  Convallaria majalis ‘Albostriata’ when it is available.

One of the really helpful characteristics of lily of the valley is that the foliage dies back after blooming which makes it a perfect subject for Great Dixter style intensive successional planting.  There is an excellent article by Gareth Richards about lily of the valley in the April 2014 edition of the RHS Garden Magazine.  Here, National Plant Collection holder, Brigitte Haugh recommends a rather brilliant sequence of snowdrops, followed by lily of the valley, followed by Turk’s cap lilies.  All three thrive in similar conditions and yet only one will be present in the same spot at any one time.

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Today, in France it is La Fête de Muguet or Lily of the Valley Day.  It is a national holiday (also Labour Day!) with a sweet tradition of giving fragrant bunches of lily of the valley to family and friends. This symbolic gift of flowers is said to date back to 1560 when King Charles IX was given a posy on the first of May as a token of good luck and prosperity for the coming year.  It became an annual tradition for the King to give members of his Court lily of the valley on May Day –  a tradition revived in around 1900, first as a romantic present and now a ubiquitous part of the holiday.

I remember seeing cellophane wrapped cones of rather giant lily of the valley on sale EVERYWHERE in Paris, (garages, department stores, pavements), when I spent a rather idyllic few months studying History of Art at the Sorbonne in my Gap Year.  It turns out rather satisfyingly that there is a particularly favoured chunky variety called ‘Géant de Fortins’. Despite the rather over commercialised reality of today’s version of the tradition there is a lingering fragrant romance to the very idea.

It is tied up with the freshness and the scent and all our romantic notions of Paris in the spring.  When the perfect Grace Kelly married Prince Rainier III of Monaco in late April 1956 she carried a demure, bouquet of tiny pearl-like lily of the valley and our hearts have been irrevocably caught ever since:

Grace Kelly 1

My own parents got married three years later during a very snowy January in Wales.  My mother is famous for worrying most that her cream satin dress would ‘look dirty’ against the white of the snow.  But she looked beautiful, of course, and I will always treasure this photograph with her own simple bouquet of lily of the valley nestling near the wedding cake.M&DI am about to plant my delicate pale pink lily of the valley in the ground and hope they will multiply with unseemly vigour.  Happy May 1st!