Tag Archives: Gardens Illustrated



garden museum against blackUnspeakable February storms and not being able to drive for a couple of weeks has meant that apart from being chauffeured to see this extraordinarily transformed – because so rarely flooded – water meadow in Suffolk:IMG_0695

there has been a slightly feverish need to get a horticultural fix in the city wherever it can be found.

The weather app on my iPhone last Tuesday foretold that despite black skies and continuous sheets of rain all morning – it would be sunny in the afternoon.  By 1pm I could sense there might be some truth in this. I slammed the front door behind me and headed speedily for the Chelsea Physic Garden, lured by the idea of witnessing a snowdrop theatre and the knowledge that this beautiful walled garden in which grapefruit and pomegranates ripen to full size -outdoors! – would be the most sheltered place I could find if the weather suddenly turned on its head.

snowdrop theatreThe snowdrop theatre was sweetly enchanting in its perfection and an intelligent, uncluttered way of comparing the different cultivars.  You enter a dangerous world, of course, and it was swiftly done to lose my heart to the gorgeous, lantern shaped, seersucker-petalled Galanthus plicatus ‘Diggory’:

Image.aspxDespite its glamorous appearance, ‘Diggory’ is a vigorous snow drop, if fairly slow to increase,  and would work perfectly happily in a semi-shaded garden situation.

But I soon fell, even more seriously, for another, quieter, utterly lovely snowdrop, Galanthus plicatus ‘Wendy’s Gold’ :another wendy's gold close up wendys goldI love the slight glow of its rich yellow markings and the slim bell-like simplicity of its petals.  ‘Wendy’s Gold’ is the favourite snowdrop of botanical artist, Helga Crouch http:/www.wildlybotanical.co.uk  whose storybook garden in Essex I have written about for the December 2014 edition of Gardens Illustrated Magazine. Helga has a reliable eye for the exquisite and it was brilliant to see ‘Wendy’s Gold’ for myself, better still to learn that it is again an easy garden snowdrop and best of all to be able to buy some there and then at the Physic Garden.

But it was also riveting, within the perfectly groomed context of the snowdrop theatre, to see that the darting elegance of the common snowdrop, Galanthus nivalis holding up so extremely well against its less well known – and more expensive – rivals.


There was a great, very simple idea at the Physic Garden for using Galanthus nivalis in large pots – mass planting the snow drops in a mound of soil and using moss to cover the bare earth:

big pot nivalis sunpot shade

Naomi Slade was giving a talk at the garden when I visited and spoke about the different approaches to planting snowdrops in pots.  There is also really helpful practical advice on the website http://www.galanthus.co.uk.

The main reason that collections of snowdrops are kept, preciously and expertly, in alpine houses is to get the watering regime right.  Potted snowdrops need watering throughout their full growth cycle, not just when they are in flower. If they are allowed to get dry and badly wilted, ‘even once’ says Galanthus, (this is where gardening can feel seriously intimidating), the bulbs are likely go dormant prematurely and may take a couple of years to flower well again. The pot should never be allowed to freeze either  – snowdrops are fine, of course, when the ground is frozen but they become vulnerable when in freezing temperatures above ground.

But most gardeners agree that it is still worth a try. The best chance of success is to use a large container and fill it with a thoughtful compost mix – Naomi’s recipe is for John Innes, leaf mould, bonemeal and grit – which, snow drops being greedier than you might think both in pots and in the ground – you replenish every year. In a shady, city garden Naomi proposed a large pot with snowdrops for the early spring and a handsome hosta for summer.  I recommend snow drops planted at the base of the compact, reddish-green Hydrangea preziosa which work brilliantly well in a container and are, of course, bare stemmed at this time of year.


One of the most effective use of snow drops I have seen in a small garden is in the front gardens of the beautiful painted 17th Century wooden lakeside houses in Broek in Waterland just outside Amsterdam – a cosy and atmospheric place to stay if you are visiting the city.broek misty house broek in waterland lakeIn the garden below, the design is clean and spare – a row of glossy topiaried trees densely underplanted with snowdrops, smart and pretty against the deep gloss of the cool grey and white paintwork of the house.

broek snowdrops broek snowdrops closeupBack in Camberwell, my friend, the artist Charlotte Verity  http:/www.charlotteverity.co.uk urged me to walk down the hill to see ‘one of the great London sights of spring’.  camberwell front garden close up massed flowersIt was indeed brilliant to see such a wild sea of white snow drops and mauve Crocus tommasinianus in a world of quiet front lawns and too many recycling bins.

At the top of the hill, Crocus tommasinianus is planted in a more restrained semi circle around a single multi stemmed Magnolia:

closed crocus circle closed crocus close up

The difference in colour intensity after half an hour of February sunshine never fails to amaze me:purple crocus circle purple crocous close up

The great thing about this semi circle of purple is that everyone stops to smile at it for a few weeks and then the lawn returns obediently to green as the year progresses.  I love the idea of secret plantings of crocus. I have a friend who stealthily planted his wife’s initial in the lawn one September so that she would see a silvery-mauve letter ‘O’ suddenly emerge the following Spring.  And I remember seeing a great photograph of long herbaceous borders in the garden at Petersham Nurseries – in a scheme designed, I think, by Mary Keen  – in which the grass path between the borders was planted with crocus creating a playful, chequerboard effect for early spring.

But enough of gorgeous spring days.  When the weather, even in London, was truly atrocious in the middle of the week, the only solution was to go flower hunting inside.

The feisty floral artist, Rebecca Louise Law (www.rebeccalouiselaw.com) was having a solo exhibition at the Coningsby Gallery.GalleryInviteCAROUSEL-1080x580Entering the space you are drawn immediately to the sunnily-lit main installation, ‘The Hated Flowers’:

the hated flowers

hated flowers close upIt is an absolute pleasure to come close to the pink, yellow and red flowers dancing deliciously and plentifully form the sky light on their spun frame of glistening copper wires.  Daughter of a Head Gardener at Anglesey Abbey, Rebecca trained in Fine Art at Newcastle University and has been working in ambitious and original ways with flowers for seventeen years.

I wondered why the title  “The Hated Flowers”?  Rebecca explains that it is a “piece I have wanted to do ever since I experienced the ‘Floristry’ world.  Coming from Art and using flowers as my material, I found it fascinating listening to Florist’s opinions and trends on what flowers to use.  The first rule of high class Floristry is to never buy Chrysanthemums or Carnations, not even to stock them.  I suppose I just wanted to make a statement about this’

We have a very good conversation about the powerful tyranny of fashion in everything including flowers.  Rebecca also tells me more about some of her other works in the exhibition which explore her constant struggle with the ephemeral nature of cut flowers.

There were some wonderful smaller installations: glass cases filled with an alluring complexity of papery dried flowers, butterflies and other treasures.

Also some seductive still life photographs – in collaboration with the photographer Tom Hartford:

pair still life

I really liked these: wonderful homages to Dutch Still Life painting with the Rebecca Louise Law twist of introducing tiny plastic figures into the scene – a Busby Berkeley capped lady swimmer with towel ready for a bathe, a few suited executives ploughing their way through the jungly foliage, a little family group of horses neatly trotting along a leaf.

On the other side of the River, I was blown away later that day by the scale, billowing shape and gorgeous subtlety of her installation in the main body of Garden Museum to celebrate the Museum’s current exhibition, ‘Fashion & Gardens’:

garden museumMy friend, Alice Burroughes and I could not wipe the smiles from our faces.  Museum Director, Christopher Woodward emerged to say hello.  He revealed that the best thing currently about his job was lying on the floor at the end of the day to look upwards: garden museum ceiling

Alice suggested they provide bean bags to encourage people to lie down or that they copy the mirrored trolley idea at Norwich Cathedral which lets you admire the ceiling without strain.

But actually it was fine just noticing the difference in the flowers from different viewpoints. Wonderful and peaceful against black:garden museum against black

hazy and fragmented against the stained glass:


Alice and I could not resist one last plant fix and walked back to the Courtauld Gallery at Somerset House to see ‘A Dialogue with Nature, Romantic Landscapes from Britain and Germany’.

One particularly luminous watercolour to recommend: Caspar David Friedrich’s ‘Moonlit Landscape’ thought to have been painted around 1808:

Caspar_David_Fried_2807602bA fantastic, ethereal painting in which a full moon floats brightly and symbolically (representing Christ) above a shadowy lakeside scene.  The painting is unusual because it is a ‘transparent’ – the moon’s almost halo-like clarity is achieved by inserting a piece of plain paper behind a hole cut in the painting.  The idea was for transparents to be viewed in a darkened room, lit from behind by a candle, accompanied by music. An unsurpassably civilised solution to a wet and windy night.

Tonight, however, I confess that I will be spending the evening with 7 boys and one girlfriend watching Wales v. France, Six Nations Rugby, on the telly.

My name, Non, is the name of the mother of St David and I am 100% Welsh. One final toast to Rebecca Louise Law who created this supremely cheerful trailing and fluttering column of daffodils for the London Welsh Centre on St David’s Day – March 1st 2011! St-Davids-Flagr-360x480



I have just returned, exhilarated, from a visit to a brilliant French garden, Le Prieuré d’Orsan  (http://www.prieuredorsan.com ), which happens to be made around an idyllic small hotel in the middle of the province of Berry, about 300km South of Paris. I was there to find out more about the garden for Gardens Illustrated (http://www.gardensillustrated.com). The garden was looking ethereal and very beautiful in the low winter light.view through arch entrance

The soft mottled roof tiles, quilted with lichen and moss have the same gentle, enduring rust-and-pale-grey softness as the ever leaner skeletons of the hornbeam cloister which architect and owner, Patrice Taravella has created as the heart of the garden.

roof tiles

general soft viewgeneral soft view rigth

I first visited Le Prieuré D’Orsan a year ago, at the height of summer. Only a garden as well structured as this can look as as elegant in late November

new soft screen

as it did in August.


Here the approach to gardening is serious.  There is nothing that cannot be eaten or that does not serve a practical or symbolic purpose. But the energy, inventiveness and attention to detail that go into every aspect of its creation and its maintenance add a magical layer that is harder to define.

The immaculately clipped ivy around the storybook tower leading to the bedrooms is a perfect example of this.ivy tower

If you look down for a moment, even the cobbled path has been perfectly judged and beautifully laid.

cobblesThere are some deliciously mad ideas – like training the vigorous ornamental vine, Vitis coignetiae, into particularly finite rectangular wall panels above a series of almost impossibly narrow-shouldered cordon pears.  But the mad idea works of course because the vine will always be perfectly trained and never left for a moment to get slightly out of hand. Vitis coignetaie is usually left to festoon itself rampantly into a huge tree. I have seen its’ extravagant leaves with their luminous autumn colour grow in perfect scalloped rows – almost like roof tiles – over a garden shed, but this is the first time I have seen anyone try to harness this contradictory neatness in such a high profile position in the garden.

vitis coignet

Again the composition looks as strong in winter as it does in its more lush summer form:
vitis summerIt is extraordinary to visit the new rose garden n a freezing November day before any of the roses has had a chance to flower, and find that the confidence and exuberance of the structure alone has the power takes your breath away.

IMG_1412IMG_1423rosarie windowAs with the garden’s many other structures, the towers and panels of the rose garden are built by Patrice’s  Head Gardener of twenty years,  Gilles Guillot.  Coppiced chestnut,  often cut in half lengthways –  intended for straps around wine barrels  – is used as the principal material. The working relationship between the two men is now so close that they find it hard to separate out whose idea was whose – one will take up the idea of the other and a trellis panel, arch or exuberant tree seat will find itself simply emerging.

Railway sleepers are used particularly cleverly as a subtle, robust and often surprisingly elegant decking.  This is the central terrace of the ‘Rosarie’

rosarie parquet

This is an older path which has almost taken on the quality of stone as it has aged.old parquet

And here is one of the neat terraces of the ground floor bedrooms which have their own small garden:
new little wodden terraceI have seen sleepers used even more simply to make tactile and handsome decking at a vineyard in Bordeaux (below).  The sleeper paths and terraces are pressure washed in early spring and  work brilliantly as a gentle but elegant hard landscaping material.


Elsewhere at Orsan the delicate chestnut structures are used to screen and partially reveal, always offering tantalising glimpses of the next section of the garden. I love the way the cool grey main gates are only revealed if you take the trouble to go and find them.

front gate arch screen

front gate summergate

Lacy tunnels of hornbeam filter the sunlight to create an atmosphere of secrecy and surprise.

lovely leafy arch

Hornbeam pillars support exuberant pyramid-shaped ‘gloriettes’ – or pergolas – which keep the levels playful and unexpected


and mark out brilliant shapes against the sky.
gloriette skyWalking around the garden is a kind of game – even before you get to the espaliered fruit maze where Patrice put to use information culled from a job building a huge supermarket when he was a young architect (“I learned that on entering a supermarket, 95% of customers turn right – this is of course where I have put my dead ends …” ).

There are views through arches


and through windows cut into hedgesround windowand there are dead ends so handsome and lush

yew panel

or so fine and delicate …
IMG_1420that you are happy to just enjoy the moment, knowing that there is another delight just around the corner.

Here in the potager the medlar fruit glow on their spreading branches against the sky.

IMG_1430The training of the soft fruit and fruit trees at Orsan is extraordinary and humbling in its perfection – I will be writing about this and about the structure of the garden in greater detail in the  February 2014 editon of http://gardensillustrated.com

Strictly following the mantra “we must always break the sap”,  every plant is immaculately trained to produce as much fruit as possible.  I am enchanted by the screen of arched panels glittering with golden gooseberry leaves catching the light.


The idea with this ‘cradle’ for raspberries is to train one year’s canes up one side of the structure only leaving the opposite side for the following year’s growth.

raspberry cradle

Rhubarb is grown long and straight nurtured by handsome willow baskets.

IMG_1435This is a garden where it takes a week to built structures around the two olive trees to fill with fleece and protect them in the -20˚ temperatures to come.IMG_1279But it is also a garden of dreamily timeless abundance in summer.two climbers

A place that lifts the spirits whenever you visit.
having a lovely time The benches make me happyfab bench Even the outside taps make me smile.tapLast year we celebrated my husband’s birthday sitting under the vines on the terrace.
festoon lights

Patrice made the most delicious birthday cake – a strawberry mille feuille with a vase of chocolate filled with flowers from the cutting garden.

nick's birthday cake

Pretty perfect. Go there.