Tag Archives: V&A

AN END OF YEAR CELEBRATION OF MONOCHROME

– AND COLOUR!

Catalogue cover for the Monochrome exhibition at the National Gallery, London.

At this mad end-of-term time I do recommend that you sneak down into the bowels of the National Gallery to see the Monochrome exhibition.  Rattling as I am with that double challenge of finding hilarious or ingenious Christmas stocking presents for my three cucumber cool  kids (they are aged 18 – 21, you can see the difficulty ) and finishing a sleigh load of writing and designing work,  I have managed to visit twice.

I was astounded by Ingres’ Odalisque in Grisaille – pictured on the catalogue (above).  The gorgeous silvery calm of of her gaze lures you into the exhibition from posters rigged up high outside the gallery above the touristy razzmatazz of  Trafalgar Square.   I think I must have seen the image before in books or catalogues but had always assumed I was seeing a print perhaps of the luscious, richly coloured Grande Odalisque painting in the Louvre  and was intrigued to learn that the monochrome odalisque was a a completely separate, subtle, simplified version of the subject, painted for Napoleon’s sister.  There are no oriental fabrics or props in the black, white and grey version which gives the painting an abstract quality and allows Ingres to focus entirely on form, light and shadow and it is known that he particularly valued what he achieved here.

La Grande Odalisque – Jean-August-Dominique Ingres, 1814,  Musée du Louvre, Paris.

When I visited Scampston Walled Garden in Yorkshire this summer for Country Life (my piece on the garden will be published next year) I learnt that the many horticulture students who spend time working in this early Piet Oudolf are encouraged to take photographs of the borders and convert them to black and white so that they too are concentrated on form, light and shadow and not distracted by colour.

Scampston, Perennial Meadow – full colour and black and white.

It is an interesting exercise.   In the colour photographs of a group of plants from the Perennial Meadow,  the composition feels balanced with the yellow of the Thermopsis caroliniana, the pinky-mauve of the salvia and the blue-mauve of the Geranium Brookside seeming to make an equal contribution.  In the black and white photograph the upright form of the Thermopsis caroliniana stands out – without the clarity and dynamism of these vertical strokes the planting might feel much more muddled.  The neat inky heads of Rudbeckia occidentalis (top right) are also much more noticeable in the black and white photograph.  Again these curious flowers, which have a an almost black central cone and negligible green sepals rather than petals, provide an important staccato accent which animates the scene.

Back in the National Gallery, there are many beautiful examples of the simplicity of monochrome being used to reflect the sobriety of Lent and to suport the focus on prayer with minimal distraction.  There is a particularly lovely French stained glass Panel with Quarries and a Female Head from 1320-24 made with grisaille glass and silver stain.

Part of a Stained Glass Panel with Quarries and a Female Head, Victoria and Albert Museum London, part of the Monochrome exhibition, National Gallery, London.

I love the idea that the silver stain turns yellow in the firing process so that the panel moves gently and richly away from monochrome.  I see the same natural, quiet lustre again in the lovely handblown glass from Afghanistan from the brilliant Ishkar, a company set up to import pieces made by craftspeople affected by war.  Definitely my favourite Christmas purchase.

Gold and clear hand blown tumblers from Afghanistan from Ishkar.

One of my other favourite pieces in the exhibition was a wall hanging from Genoa – pale oil paint on the hard wearing indigo cloth developed in the city in the 16th century – this is origin of the word ‘jeans’.

Agony in the Garden 1538, oil on indigo canvas, State Property on deposit in the Museo Diocesano, Genoa.

You need to visit for yourself to appreciate the  tactile satisfaction of white on tough navy blue.  A whole set of hangings would be used to clothe a chalky white chapel during Lent. How wonderful it would be to create something simple using white on blue denim to soften an outdoor loggia.

Star of the show for me was the  Donne Triptych by Hans Memling.

Hans Memling. The Virgin and Child with Saints and Donors (The Donne Triptych) about 1478, National Gallery.

Again a photograph is a poor substitution for the demure delicacy of the outer panels which are slightly opened to reveal a tantalising slice of rich red and glowing gold of the VIrgin’s Gown within.

Detail of Hans Memling, The Donne Triptych, Saint Christopher carrying the infant Christ – one of the outer doors.

Hans Memling – the Donne Triptych – central panel – National Gallery.

Applied to a garden context, this is perhaps the most important lesson of the show – the powerful effect of an area of calm and restraint adding hugely to our appreciation of colour when we finally reach it.

Rationing colour is not always the solution of course. One of my favourite images this summer is of these dancing poppy seed heads against the uplifting cinnamon coloured walls of Culross Palace in Fife, Scotland.

         Poppy seed heads against the uplifting cinnamon coloured walls of Culross Palace.

Interestingly, because the composition is so strong, depriving the image of colour is a sad loss.

The last room of Monochrome is an installation by Olafur Eliasson, Room for one Colour, where the artist uses single frequency sodium yellow tube lighting to suppress every other colouring in the spectrum, transforming everything into monochrome.  This is in fact a rather fascinating and cheerful experience which has even the most staid art lover losing themselves in the world of the selfie for just a moment.

My faithful red notebook is monochrome.

And so am I.

I leave the National Gallery smiling and thoughtful and head to the Victoria and Albert museum’s exhibition Into the Woods – Trees in Photography . Here, calmed and held back by a world of different shades of grey, I only have eyes for two photographs – by Tal Shochat, Pomegranate and Persimmon 1974.

Pomegranate and Persimmon, Tal Shochat, 1974, Into the Woods, V&A.

Shochat takes perfect specimens of trees, dusts and grooms them to perfection and shoots them studio-style against a dark backdrop. Entirely unreal, but deliciously celebratory.

A few days later on a rainy early morning walk in Peckham, South London,  I spy a resplendent persimmon tree in a back garden.  The abundance and the glowing orange colour set against a shapely piece of yew topiary has me smiling from ear to ear.  A perfect city tree which is not to be forgotten as I look forward to possible new gardens in 2018.

Persimmon Tree and shapely yew topiary through wire fencing, Peckham.

Wishing you all a very Happy Christmas, Non.

A young- monochrome – me on a Christmas trike.

 

A PIGEON IN A CRAB APPLE TREE

THE DAHLIA PAPERS’ RECOMMENDATIONS FOR GARDENING CHRISTMAS PRESENTS – AND HOW TO REMAIN PALE AND INTERESTING WHILST ACQUIRING THEM

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Wood pigeon in crab apple tree, Laxfield, Suffolk, December 2014

At the turnstiles, South Kensington tube station. I am bracing myself for a first session of Christmas shopping when I find myself turning right into the tunnel instead of making my way upwards to ground and shop level.  The station has long borne a tantalising sign that simply says ‘Museums’ and flashing through my mind was the knowledge that the refurbished Cast Courts at the Victoria and Albert Museum had re- opened only the night before.  How could I resist sneaking off to the V&A instead of weighing up the impact of the ‘faux’ aspect of a ‘faux mohair’ throw for my mother or worrying if an 18 year old boy, closely related to me, would show any sign of increased animation when discovering a  ‘reinterpreted piece of apparel from the Adidas archive” (i.e. a navy blue t-shirt that says ‘By Nigo’ under a giant Adidas logo) in his Christmas stocking?

On arrival at the museum I am immediately drawn towards the ruddy glow of the John Madejski Garden – the wonderful courtyard garden at the heart of the museum.  Here,  glittering softly in a quiet rainbow of reds and golds, is the most wonderful, gently radiant, Liquidamber.  Two wise visitors are picnicking calmly in the fading light under the best possible early Christmas tree.

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Two wise picnickers under a Liquidambar, The John Madejksi Garden, V&A

I feel eighteen again myself as I enter Room 46a – which together with its neighbour 46b – now named the Weston Cast Court – are the only public galleries in the museum which display the same collection of objects as when they first opened: an exceptional group of 19th Century plaster cast reproductions which allow you to travel wondrously around Europe and through history in the space of a gorgeous hour.

IMG_2477Towering Trajan’s Column, Room 46a, Cast Courts, Victoria and Albert Museum 

I am drawn first to the glimmering bronze detail of the Porta di San Ranieri – from Pisa Cathedral, c. 1180 – with this rhythmic scene of palm trees and Wise Men.
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Electrotype of Panel from the Porta di San Ranieri, Pisa: The Three Wise Men

And then to the pale exquisite perfection of casts from the cloisters of the Church of San Juan de Los Reyes at Toledo c. 1480-1500:

IMG_2487IMG_2489Detail from cloisters of San Juan de Los Reyes, Toledo

There is a sense of wonder and tremendous calm in these rooms and yet it is fantastically intimate. You are allowed to get close, to photograph, sketch, just sit and imagine you are in Southern Spain or Florence.

I love the rhythmical boxy flowers carved from milky reddish stone from the central pier of a doorway at Amiens Cathedral, 1220-35:

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And in the next door room, the yellow-gold exuberance of Ghiberti’s Gates of Paradise, Florence, 1425 -52:

IMG_2522Detail from Lorenzo Ghiberti’s Gates of Paradise

There is an exhilerating sense of scale and it is a fantastic privilege to be able to experience seeing the Gates and Michelango’s David at a mere arm’s length from each other – even on a visit to Florence to see the real thing separate pilgrimages would of course be required to the Baptistry and the Uffizi Gallery respectively.

IMG_2536Michaelangelo’s David and Ghiberti’s Gates of Paradise

I am entranced by the rather magical photographs which you cannot help but take of the box-framed ‘Fig leaf for David’ – believed to have been made in 1857 to protect the modesty of Queen Victoria and Prince Albert:

IMG_2527Fig Leaf for David, Brucciani & Co. c 1857

There is the crisp, star-burst clarity of decoration from the Tomb of Cardinal Ascanio Sforza, 1505-09:

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Detail from the Tomb of Ascanio Sforza, 1505-09

And I stay for quite a while before the exquisite cool angel-wing carving of Donatello’s Cavalcanti Annunciation, 1425-50:

IMG_2509IMG_2507Donatello’s Cavalcanti Annunciation

Before I leave I enjoy the inventive charm of the 3D oak tree and wheat sheaves of Orcagna’s ‘The Assumption and Death of the Virgin’:

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The Assumption and Death of the Virgin, 1352, Andrea de Gione, known as Orcagna

I dart – for further fortification –  into the cafe. Here the Gamble Room is resplendent with its year-round giant bauble lighting:

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A giant bauble light, The Gamble Room, V&A Cafe

I am feeling much readier to think about Christmas and indeed Christmas presents and am going to change my approach. For myself (should anyone important be reading this …) I would be keen to start a collection of antique William Morris/William de Morgan tiles so that one day I will have enough to line a garden loggia …

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IMG_2556William Morris tiles from the Cafe at the V&A

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The loggia at the Arts and Crafts house,  Standen, National Trust, East Sussex

More realistically, inspired by the Liquidambar in the John Madejski Garden,  I am thinking  that alternative Christmas Trees would be a great place to start for presents for family and friends:

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The Madejski Garden at nightfall – The Liquidambar is now gold against gold

One of the prettiest trees to give at Christmas is a winter flowering cherry: Prunus x subhirtella ‘Autumnalis’. This is a small tree – worth looking out for a multi-stemmed one – which quietly lights up the garden from November to March with delicate, pink tinged white flowers.  www.bluebellnursery.com has bare root plants at 125-150cm available for mail-order for £29.50.

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Prunus x subhirtella ‘Autumnalis’

Another great present choice is a ready-trained U-cordon apple tree.  Three of these  – there is still time for a Christmas delivery if you hurry – arrived from Pennard Plants in time for Christmas last year. The trees were inspired by my visit to the Prieuré D’Orsan (see my December 5th 2013 post): they have been handsome and prolific and are excellent hosts at Christmas for midwinter lighting.

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U-Cordon Apple trees, Camberwell with young fruit and with festoon lights and naked wire lights (both the latter are available from Cox and Cox )

prieure pommesU-cordon apple trees at the Prieuré D’Orsan

The apple trees carry slate labels which were also inspired by the labelling at the Prieuré –  permanent gold marker pens, slate labels with or without holes and fine galvanised tying wire are all available very inexpensively from the brilliant The Essentials Company and would make another good present.

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Gooseberry label, La Prieuré D’OrsanIMG_8724

Queen Cox label, South London

A crab apple tree with particularly long last red fruit would be another excellent tree to give at Christmas. Helen Fraser and I planted a pair of Malus x atrogsanguinea ‘Gorgeous’ from Landford Trees in one of our favourite gardens in Oxfordshire (see our Fraser&Morris website) where it is both long flowering and holds onto its fruit well into December:

december 2010 003Frosted Malus x atrosanguinea ‘Gorgeous’ fruit, Oxfordshire, December

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A welcoming pair of red-fruited crab apples in a front garden at Laxfield, Suffolk

Another tree to buy in a pair for a welcoming front door would be some handsome half standard variegated holly trees – Ilex aquifolium ‘Argentea Marginata’.  Really good size plants at 160-180cm are available for £44.50 each from the Big Plant Nursery

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Ilex aquifolium ‘Argentea Marginata’ – flanking a front door in Canterbury and a close up of the light-catching leaves

My final suggestion of a tree to give for Christmas is a standard form of the White Currant ‘White Versailles’ – available mail order from Blackmoor Nursery for between £12 and £25 depending on whether you would prefer a bare root or a container grown plant.

Whitecurrant_LW A standard whitecurrant will grow into quite a sturdy, weeping small tree. It can cope with semi shade and leaves plenty of room underneath to plant with herbs perhaps or cutting tulips and wild strawberries which is the case in my own garden.  Whitecurrant fruit is hard to find in the shops but a single small tree can be very prolific, producing fruit to be eaten fresh with other berries in the summer and then made into an exquisite jelly for the winter:

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Frozen whitecurrants for making into jelly

Jane Grigson’s recipe from her wonderful ‘Fruit Book’ – another brilliant, enduring present – is based on Eliza Acton’s instructions.  You don’t even have to remove the leaves and stalks from the currants  – just cover the base of the pan with a thin layer of water, add the same quantity of sugar to fruit, boil hard for 8 minutes and strain to produce ‘a strong jelly of fine flavour’. The jelly is completely delicious with roast pheasant or lamb or with a blue cheese such as stilton. You will even be ahead of the game for Christmas presents the following year year…

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IMG_8640Jarof jewel-like white currant jelly, Camberwell

Two other book suggestions are Frances Bissell’s The Floral Baker – which is like a jar of sunshine with recipes for tomato and lavender tart and marigold, olive and manchego scones and will keep your friends and family happy, dreaming of the summer to come:

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And I can strongly recommend an almost dangerously provocative book for a plant nut: Bob GIbbons’ Wildflower Wonders of the World. I love this book – it cannot fail to make you want to make serious journeys to experience the intensity of the World’s most spectacular displays of wild flowers. 

Bob

For a different kind of present for someone who loves plants and gardens, I have the work of two photographers to suggest.

I am a long standing admirer of Chrystel Lebas who uses a panoramic camera and long exposure times to create dreamlike sweeping landscapes which are hard to forget.  Her series ‘Between Dog and Wolf’ – a translation of the French phrase for twilight,  ‘entre chien et loup’ – has fantastic images of frozen shadowy, fairytale forests –  what could be a better present to receive on Christmas morning? Her covetable prints are available from The Photographers Gallery

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An image from the ‘Between Dog and Wolf’ series by Chrystel Lebas

Newly discovered for 2014 and absolutely on my own Christmas list, are the innovative iphoto images of award-winning photographer Nettie Edwards who is currently an artist in residence at Painswick Rococo Garden in Gloucestershire – more on this in The Dahlia Papers in 2015. You can read about her work and her time at Painswick in her blog Hortus Lucis A year in a garden of Light . I love the soft, atmospheric painterly quality of her photographs.  Prints are available from about £100 – contact Nettie Edwards direct on net@nettieweb.co.uk

rococo_chinoiserie1kale-flowers-05_14gothic-bench-salt-print-05_14exedra-04_14Four Photographs taken at Painswick Rococo Garden by Nettie Edwards, net@nettie.web.co.uk

I came upon my very last idea for an alternative Christmas tree – or indeed Christmas present – when walking in Peckham last week with artist and writer, Jake Tilson. We talked about his brilliantly illustrated, perceptively written new book about Christmas food (available mail order, of course from Tender Books ) as he led me to his latest find …Cooking Christmas

Together we peered over a back garden fence to admire the most fantastic Persimmon tree, heavily laden with orange fruit.   The wonderful attribute of Persimmon – if you are after a spectacular December display – is that the fruit ripens very late and stays on the tree to dazzle on a winter’s day.  Reads Nursery in Suffolk are selling large grafted specimen trees 5 – 6 feet tall,  a bargain at £64.50.
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Persimmon tree laden with fruit, Peckham

Do go to the Cast Courts at the V&A for a moment of Christmas calm then sit back and buy everyone  you know a tree. Wishing you a very Happy Christmas, Non.

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Trained apple trees with lights, Petersham Nurseries

IMG_2417IMG_2414Classic, perfect, holly decorations, Laxfield Church, Suffolk