Category Archives: Italian Gardens

THE GRASS IS SINGING – WILD FLOWER HUNTING IN THE APENNINES

THE JEWELLED MEADOWS OF MONTI SIBILLINI, GRAN SASSO AND ABRUZZO 

lots tulipsTulipa sylvestris ssp. australis and Muscari neglectum, Monti Sibillini National Park, 1500m

I am sitting on a grassy bank in the Apennines,  the limestone mountainous spine of Italy, about two and a half hours from Rome. It is windy and anorak-cool, but the sky is a brilliant blue, and stretching before me is an entire hillside of narrow-budded wild tulip, Tulipa sylvestris ssp. australis, with thousands of navy blue Muscari neglectum. It is an exhilarating sight and I am smiling from ear to ear. This is what I have come for. I have escaped plant orders for gardens we are about to plant, making arrangements for magazine assignments, plus the entire Chelsea Flower Show – to be in the mountains, after the snow and when things have begun to warm up, hoping to experience the sort of flowering intensity that I have only dreamt of.

It has been a challenging spring, explains Bob Gibbons, our deeply knowledgeable guide whose wonderful books – Wildflower Wonders of the World, Flowers at My Feet and Wild France just to begin the list – have inspired me to join him on this trip. Bob is tireless, a demanding teacher (my favourite kind), and charming – even when he laughs disconcertingly when I describe myself as an entry level botanist. There have been high April temperatures – up to 28ºC – followed by heavy snow right into May. The most obvious impact has been on the leaves of the beech trees, the dominant woodland species in the area. It feels odd to be in the middle of jewel-like spring colours surrounded by crispy brown foliage:
IMG_2588

IMG_2587Frost- crisped beech leaves, Monti Sibillini

But there is never a minute on this trip when you are not distracted by the next gorgeous plant. As we drive along the pass into Piano Grande the flat, bowl-like basin high up in the Monti Sibillini National park, there are pools of the tiny flowered rock soapwort Saponaria ochymoides and clumps of the luminous golden drop Onosma echioides at the roadside.

IMG_2156Saponaria oxymoides

IMG_2154Onosma echioides

We are a mini convoy of three cars. As soon as we stop, everyone spills out and is immediately on their knees examining the turf, macro lenses at the ready, before moving on at what is lovingly described as a ‘botanical pace’  After the initial shock of such uniform dedication, we are down on our knees too and a new world is opening up.

The navy blue, pale-topped thimbles of the grape hyacinth, Muscari neglectum extend impossibly in every direction:

MUSCARI. DAY 1JPG                                                Muscari neglectum extending in every direction

As we inch across the slope, the sea of blue on green becomes spattered with yellows, reds, paler blues, pinks and whites. The plant list has suddenly exploded – three kinds of buttercup, two kinds of saxifrage, a low growing, endemic, hairy forget-me-not, Myosotis ambigens, and of course, the thrilling sight of Tulipa sylvestris subs. australis in bud.

tulip context

tulip portrait

medium tulip

tulip against skyTulipa sylvestris ssp. australis with Muscari neglectum and other wild flowers, Monti Sibillini National Park

As you look again, the ribena coloured Elder-flowered orchid Dachtylorhiza sambucina adds itself to the mix, as does the dusky endemic fritillary Fritillaria orsinianana, and here and there the elegant, white Saxifraga granulata enjoys its moment in the sun:
tulip wih orchid

IMG_2040The Elder-flowered orchid, Dachtylorhiza sambucina

FRITIALLRYFritillaria orsinianasax tulip bankSaxifraga granulata

As the morning wears on, one or two tulips open out into yolk-yellow star bursts.  Any day now this hillside is going to dazzle with 5000 open yellow tulips, but I am glad we are here for this moment, with the elongated Iznik-tile buds, waving in the breeze, full of promise.

open tulipTulipa sylvestris ssp. australis, fully open

We drive higher up (1700m and upwards) to pastures around La Baita. Here the Elder-flowered orchids come in staggering sheets of deep red and pale lemon:

iphoto orchids mountainsSheets of pale lemon and dark red Elder-flowered orchid

These are joined by the startling blue of Spring Gentians, Gentiana verna, and the rich yellow of the small ground-hugging rock rose Helianthemum nummularium. I love the pattern the gentians and rock rose make with the bright white of the limestone rocks.

orchid and gentianElder-flowered orchids with spring gentian
orchid gentian close upSpring gentian, Elder-flowered orchid and rock rose

IMG_2081Spring gentian, rock rose and limestone

At the top of the slope is a cluster of almost unreal, richer blue trumpet gentians, Gentiana dinarica.  

IMG_2084IMG_2086Gentiana dinarica

I prefer the quieter, more lightly scattered style of the spring gentian but our group is understandably very happy indeed.

We drive down to the Piano Grande itself – getting a feel for the patchwork of fields which are cultivated wherever they can be in the basin. These fields near the town of Castellucio (notable for the peas and lentils grown nearby) are famous for their display of corn weeds such as poppies and cornflowers that light up the entire plain at the end of June.
IMG_iphoto piano grande car 25207                             Patchwork of cultivated fields, Piano Grande, Casteluccio

castelluccio     Postcard image of the fields in June, thanks to Ristorante Hotel ‘Sibilla’, Castelluccio di Norcia

And now we are in the almost surreal Piano Grande, with its man-manicured beech woods, snow-capped mountains, brilliant evening sun and endless loop of chorusing field crickets. The ground is noticeably marshy. There is acre upon acre of the yellow buttercup, Ranunculus bulbosus, softened by the bright, lime green of densely growing Cross-wort, Cruciata laevipes and, amongst these, heart-stopping quantities of fine-leaved narcissus Pheasant’s Eye Narcissus poeticus:

IMG_1975

IMG_2131iphoto crosswort

IMG_2144The Piano Grande, Monti Sibillini: buttercups, Cross-wort and beech woods

iphoto narcissus IMG_2137                                               Pheasant’s Eye narcissus, Piano Grande, Monte Sibillini National Park

Tearing ourselves away from the scented Narcissi, we spot a colony of wild peony, Paeonia officinalis, tantalisingly only in bud …

IMG_2141IMG_2142

 

Paeonia officinalis in bud

There are the strong, pleated leaves of the yellow gentian, Gentiana lutea which will produce towering yellow flowers in the summer. I am told that that it is the base of the French aperitif Suze – a drink which I have never tried but which is immediately familiar when I look it up.

IMG_2124

Strong pleated leaves of Gentiana lutea

suze suze-aperitif-a-la-gentiane

The French aperitif, Suze

On a completely different scale, is this quietly lovely limestone boulder, home to a diminutive saxifrage, Saxifraga tridactylitis and wonderful ringed patterns of soft sea-green lichen:

IMG_2149 IMG_2147

IMG_2148

Boulder with Saxifragra tridactylitis and lichen

Our lunch stop the next day is my favourite picnic spot of the week. We are in high flowery pastures, soft with the long-headed pink and white clover Trifolium incarnatum ssp molinerii and a larger form of yellow rattle Rhinanthus alectorolophus, than we have in the UK.
clover establish

clover 2The long-headed clover, Trifolium incarnatum ssp. molinerii

clover rattleA large, hairier yellow rattle, Rhinanthus alectorolophus

There are buttercups, the handsome pink Sainfoin Onobrychis viciifolia, the rich blue Cynoglottis barrelieri, a fantastically fragrant thyme Thymus glabrescens, and throughout, the slender white Star of Bethlehem Ornithogalum divergens.

clover 3

clover 4

Onobrychis vicifolia with buttercups

clover 1Cynoglottis barrelieri, Thymus glabrescens and Ornithogalum divergens

We  climb up the grassy path – I love the natural distribution of the paler yellow of the yellow rattle and the yellow gloss of the buttercup.

IMG_2223

The comfortable distribution of glossy buttercup and paler yellow rattle

There is fresh excitement as we realise that the unmown lawn of a private house is smothered in horse shoe vetch, Hipppocrepis comosa, green winged and toothed orchids and the elegant blue pompoms of Globularia visnigarica. There are small spider orchids, early spider orchids, sombre bee orchids and a handsome Man orchid, Orchis anthropophora – so named because of the tiny pale pink stickmen formed by the different parts of the plant.

IMG_2261Garden of private house – the orchid lawn is on a bank to the left of the house

IMG_2268 IMG_2263

IMG_2264Horse shoe vetch Hippocrepis comosa with green winged and toothed orchids (above) and globularia (below)

I will whizz past the treasures of day 3 – apart from perhaps my only satisfactory orchid photograph, a proud lady orchid, Orchis purpurea, found at 1400m near the abbey where we had lunch and where I admire the handsome stone fountain troughs.

orchis purpurea lady orchidOrchis purpurea, the lady orchid

IMG_2345IMG_2343IMG_2342Handsome stone fountain troughs

In the evening we find wild peony Paeonia officinalis in flower in a sheltered valley. Peonies are curious as wild flowers – they are so lush and perfect they look as if they have been plonked there to entertain us by a local florist. In a garden situation they can be enjoyed as much for their foliage as for their much shorter lasting voluptuous flower and arguably benefit from being planted more closely with other plants.

 It is a lovely evening though. The cuckoo sounds insistently, there are digging scrapes of wild boar and I can hear the collected English – and American –  laughter at the bottom of the slope. For a moment I think I am at a May drinks party in the shivery, shadowy sunlight.

peony estpeony closerpeony closeypPaeonia officinalis looking a little overdressed

In the morning we head up to Campo Imperatore the largest plateau of the Apennine ridge, known as Italy’s “Little Tibet’.  It is suddenly wet and cold, down to 3ºC as we climb higher in search of crocus still in flower.  We are in a different mood as we set out to explore the area around one of Italy’s oldest ski resorts, most famous for imprisoning Mussolini in its principal hotel in the summer of 1943 until he was freed by German commandos later that year.

The group botanise under heavy skies. I am charmed by the cool silvery bark and simple white flowers of Prunus malaheb, the St Lucie Cherry, and by the delicate meadow saxifrage which suddenly becomes a huge sweep in the more sheltered spots.

IMG_2387Botanising continues under glowering skies

IMG_2405 IMG_2404 Prunus malaheb – the St Lucie cherry

IMG_2413Meadow saxifrage, Saxifraga granulata

At 1500m we stop to photograph extraordinary sheets of the endemic yellow pansy Viola eugeniae at the base of snow covered mountains:

viola snow cap

IMG_2378Viola eugeniae on the Campo Imperatore

As we drive on we realise that the ground in every direction is dense with the grape hyacinth, Muscari neglectium – shivering, inky dark, spreading on and on over the low growing turf.

IMG_2427Huge expanses of Muscari neglectum, Campo Imperatore

We climb higher. The light is cool, cloud-pressed, and we step over pools of almost frozen blue-grey water amidst fresh snow. We find just a few Crocus versus sap albiflorus and some beautiful, papery Pasque flower, Pulsatilla alpina ssp. millefoliatus. We are huddled over against the cold up here, but feeling excited and moved by the calm energy of the plants.

IMG_2456
IMG_2439                       Hunting for crocus in the snow

IMG_5288                                                        Crocus vernus ssp albiflorus

iphnoe pulsatille

Pulsatilla alpinus ssp millefoliatus

Day five is completely different. A glorious still morning, sunshine again, calm, it feels like the first day of summer. As we drive toward Abruzzo National Park we stop at a sunny roadside bank beside a brilliant yellow Spanish Broom and mounds of papery pink Convulvulus allthaeoides.

IMG_2500Spanish broom, Sparticum junceum

IMG_2502Convolvulus althaeoides

The bank itself is crispy dry and dreamy with the streaming blond grass Stipa pennata and the delicate flax Linum tenuifolium.IMG_2507                                               Stipa pennata and Linum tenuifoliium

The stars of the show are the handsome thistle-like heads of Jurinea mollis. The knee-high shrubs of the sharply wiry of Christ’s Thorn Paliurus spin-christi are clearly perfect for creating a cruel crown.

IMG_2509IMG_2511Jurinea mollis and Stipa pennata

IMG_2505IMG_2504Christ’s Thorn, Paliurus spina-christi

But lunchtime is even better. We have almost reached the Abruzzo National Park and we are in a rolling moonscape of gorgeous spring Alpine plants. I am quite lost in the abundance of it, the natural garden, the overwhelming lightness and skill of distribution. I drink in the colours, the combinations – the subtle swings from hot yellows and pinks to cool blues and whites, the repetition, the way some plants nestle against a rock or grow right out of it, the way a tree sits on a bank with a cloak of yellow or pink or white at its feet, like a sunny Madonna.

There is a grey Stachys-like plant, Sideritis italica, which sprouts up every where, and abundant Helianthemum appeninum, the white rock rose with a yellow centre. There is is Polygala major in pink, mauve, blue and endless delicate supplies of wild thyme and snow-in-summer Cerastium tomentosum. There is the yellow wall flower or treacle mustard Erysimum pseudo rheticum sprouting confidently out of stone and there are the lovely magenta Silena conica with their immaculate striped calyces. There is a shorter form of the blue pompom flowered globularia looking cool and fresh with the tiny white mountain daisy, Arenaria montana and there is a wind buffeted oak with a pool of rich yellow kidney vetch at its feet.

IMG_2572IMG_2525IMG_2534IMG_2559IMG_5316IMG_2539

snow in summer coronilla and star silene conicaglob and saxIMG_2571IMG_2550Idyllic spring meadows near the Abruzzo National Park

There are orchids of course too but, although I have admired each one that we have encountered, I am feeling that for the moment I can hardly catch my breath and that the important thing is to keep the essence of this kind of natural planting in my mind.

I return to London with a few new rules in my head. Firstly I am a born-again fan of the colour yellow which has been everywhere on this trip, secondly I must try to use snow-in-summer Cerastium tomentosum which has been gently everywhere and looks great even here at the visitor centre, piling down under a fence:

IMG_5332A simple planting of Cerastium tomentosum

Mostly I am thrilled that I know what it is (entry level, obviously) to look more closely at the world and move about, at least some of the time, at botanical pace.

Huge thanks to Bob Gibbons and Libby Ingalls – and also to Peter Marren and Jamie Sievert.

IMG_2751Bob Gibbons and Libby Ingalls

IMG_2790The richest blue Cynoglottis barrelieri seen on our speedy last walk up the mountain before getting in the car and driving back to Rome.

One  small diversion: on my early morning walks into the town nearest to our last hotel I was struck by these simple, inventive iron fences in clear colours (and I love the colour of the garage door).

iphotofenceIMG_5326IMG_5324Painted fences and garage door, Pescarolo, Abruzzo

 

 

 

MATISSE: THE CUT OUTS AND THE GARDEN AT PETERSHAM

HENRI MATISSE AT TATE MODERN AND A JOYOUS LATE SPRING BORDER AT PETERSHAM HOUSE

le snip

Matisse in his studio working on his Cut-Outs – from Issue 31 Tate Etc Magazine.

What would you wear if you were a beautiful young woman, already living with Picasso, and about to be introduced to the older artist, Henri Matisse, who you regard as ‘God’?

IMG_0003

Françoise Gilot holding a red gladiolus, photographed by Gjon Mili, 1948.

There is a wonderful series of interviews in the latest edition of Tate Etc magazine which celebrates the uplifting Matisse: The Cut-Outs exhibition at Tate Modern. I loved discovering that the young woman in question, Françoise Gilot, decided on her outfit with knowing precision: “I remember very clearly that I dressed in almond silk trousers and a mauve silk top, because I knew he liked those colours”.

The choice hit the spot and during the course of their subsequent friendship Matisse drew and corresponded with Gilot, relishing the disconcerting impact his attention had on the the ten year junior, Picasso.   In the same interview Gillot gives a riveting description of watching Matisse make an abstract portrait of her in 1947.

IMG_0003

Henri Matisse’s gouache cut-out Abstract Portrait of Françoise Gilot (1947).

“He got hold of a sheet of paper, painted bright green and a piece of magenta paper and considered the shocking clash of these two colours and the sobering effect that would be achieved by the addition of a black shape”.  Initially Matisse was frustrated with the black shape he had made for the bottom right of the piece. “The whole composition looked too even, a bit dull …with his gigantic scissors he began to reduce it mercilessly until it became quite small and sharp edged.  All the prettiness had been eliminated but in the process of miniaturisation, the energy had been maximised … it was perfect”.

And so to gardens.  Even if they are never able to come near the perfection of one of these masterful works on paper or in glass – and the stability of a completed artwork will always elude the gardener – the best plantsmen are forever thinking deeply about the elements they work with. The challenge is constant: how best to balance shape and colour, form and texture and the impact of a small amount or large amount of one colour on a small amount or large amount of another.

establishing shot double border

The 150 foot long double border at Petersham House, Petersham.

The garden at Petersham House, reached via the delectable Petersham Nurseries, was open for the National Gardens Scheme one Sunday at the end of April and will be open again on June 1st as part of the Petersham Village Open Gardens, as well as on Sunday 20th July for the NGS. The double borders were originally designed by landscape architect Helen Dooley and have been gently adjusted over the years by the Head Gardener, Rosie Bines. They  are a wonderful example of exuberant spring planting and a skillful and inspiring approach to colour, form and texture.

The long borders at Petersham House lie beyond the slightly severe lawned garden with its handsome topiary chess piece like shapes emerging from columns of yew:

unfinished topiary

Unfinished topiary shape
finished topiary

and a complete topiary shape.

The shapes work best when viewed together with Petersham Church beyond – balancing its handsome curves and domes:
IMG_3139

Petersham Church and the garden of Petersham House.

For a moment I am distracted by piece after piece of covetable antique garden furniture which is beginning to feel at home amongst bowers of rambling roses and enclosures of clipped yew – and one cannot fail to be distracted of course by the watchful Anthony Gormley sculpture standing quietly on the grass.

gormley

Serpent bench in bower with Anthony Gormley sculpture.more gorgeous benchesone of a pair of covetable curvaceous dining benches in a yew enclosure.

But your heart really starts to race when you step through the gates beyond which the borders have been doggedly trying to catch your attention from the moment you arrive. The colours are rich and gorgeous against a classic framework of tightly clipped dark yew hedges and wonderful bold buttresses of rounded yew – and the balance changes constantly:

IMG_3208 (5)Fiery orange heads of Euphorbia grifitthii ‘Fireglow’ glow against the acid yellow of a different Euphorbia.

IMG_3196Dark tulips, pointed buds of Nectaroscordum siculum and subdued foliage of Macleaya Cordata.

Using yew as a dark background in a garden has the same ‘sobering effect’ on bright colours as black does for Matisse – it both subdues and energises:

thalictrum against yew

Fluffy, pale pink Thalictrum aquilegiifolium against yew.crocosima against yewSword shaped leaves of Crocosmia and Tellima grandiflora against yew.rheum characias yew

A spectacular combination of Rheum palmatum, bluebells, red tulips and Euphorbia against yew.

In another Tate Etc interview, Jacqueline Duhême, Matisse’s assistant from 1947-49, described how Matisse, worked on the design for the stained-glass windows for the Chapel of the Rosarie in Vence: he would lay down piece after piece of coloured paper until he had obtained the right “density that still let the light shine through.”

IMG_0003Jaqueline Duhême standing in front of designs for the Tree of Life stained-glass window for the Chapel of the Rosary, Vence.

imagesDisplay from ‘Henri Matisse: The Cut-Outs’ showing the range of colours Matisse was using.

Of course, working with plants, it is only in the more theatrical – and ultimately artificial – context of a flower show that this sort of immediate creation of an entire picture can take place. Visiting the RHS Chelsea Flower Show during the build stage last week, we chatted with wonderful plantswoman Chris Marchant of Orchard Dene Nursery about whether or not Cleve West would add a scattering of orange poppies to his already beautiful M&G garden.  A delicate sugar pink annual poppy was working brilliantly amongst the shimmering green-blond stems of Stipa gigantea, purple honesty and pale yellow evening primrose:

pink poppy

How would the richer note of the orange poppies, still in their trays at the side of the garden affect the whole picture?

I am finishing this blog after spending the day at Chelsea and the answer is that, in the end, the decision was to go for both pale pink and orange-red poppies.  The deep orange poppies offer a dash of fire which has a powerful, intensifying effect on the gentler tones of the surrounding plants.

orange poppy 2

Part of Cleve West’s M&G Garden, RHS Chelsea Flower Show 2014 – with orange-red poppies at the centre.

Away from the show garden most plant choices have to be made months or years before they will be required to work together. Here at Petersham the planning and weighing up of possibilities is bearing fantastic fruit.

The parallel idea of using a flash of crimson as a source of contrasting energy has worked brilliantly:

Tulip and RheumRed tulip against giant Rheum palmatum foliage.
the red tulipA single red tulip glows like a light bulb against blues and claret.

Elsewhere the pale green bell-like flowers of Tellima grandiflora add light and grace to the planting throughout the border.

IMG_3161 (2)

Tellima grandiflora 
tellima amongst camssaia
Tellima grandiflora adding a lightness to Camassia.

And the clever use of the diminutive rusty flowered Euphorbia dulcis ‘Chameleon’ adds depth and a deft subtlety to the planting:

dark euphorbia

Euphorbia dulcis  ‘Chameleon’ adding depth to lilac honesty and tulips.

The swathes of vivid blue Camassia have a surprisingly powerful effect on the surrounding colours – the coolness of the blue somehow makes the contrasting colours sing more loudly:

IMG_3232_2

I am reminded again of Jacqueline Duhême’s recollection of her time assisting Matisse: “there was always one colour that would make the others come to light and for Matisse it was usually blue that made the yellows, oranges and reds brighter”.

At Petersham this late spring border is full of signs of the way the garden is about to change. This rounded oriental poppy bud is on the verge of bursting open into a ball of colour:

IMG_3211_2 Bud of oriental poppy.

Torch-like shrubs of alternating claret and bright green Cotinus parade up the borders – their leaves growing daily and the pool of colour they provide getting bigger and having more influence day by day:torches of cotinusCotinus shrubs parade up the borders.

And the lush green leaves of Crambe cordfolia, which for now sit so demurely at the feet of the handsome yew acorns, will soon spin out into such huge airy clouds of white flower that for a while you will barely be able to squeeze past. The picture is about to change completely.
crambe

Crambe cordifolia leaves (left) at the base of a topiary yew acorn.

I make my way back from this private garden to the public Petersham Nurseries – back through a lovely ornamental potager with pale wigwams of papery silver birch:

kitchen garden 1Silver birch plant supports underplanted with herbs and narcissus.

I pass a wonderful small fleet of fat terracotta pots each housing a greedy artichoke plant.

IMG_3123
It is a delight to see a young chef darting around the kitchen garden collecting flowers of borage, thyme and chives to use in the cafe and restaurant:IMG_3257 And I love the way that tulips and cow parsley are growing together with the culinary herbs:IMG_3262Purple sage with tulips and cow parsley.

Next to the garden gate is a luscious patch of blousy peach coloured tulips, Tulipa ‘La Belle Epoque’. I absolutely want some of these to plant next September.

IMG_3122

Tulipa ‘La Belle Époque’

I chat on the way out to Rosie Bines.  I tell her how much I admire her work and she tells me that she likes my favourite, ancient, tomato-soup coloured gardening mac.  I am glad, obviously, that I had worn something that more or less suited the garden …

IMG_3561

My tomato-soup coloured gardening mac.

On the pin board above my desk I have a beautiful Matisse touchstone: a postcard of a black cut-out leaf against mint green from the Royal Academy Matisse exhibition of 2005:

matisse leaf

Next to it is a photograph of my idea of the ultimate swimming pool –  the pool at the hotel, La Colombe D’Or in St Paul de Vence in the South of France.  It is, of course, the perfect place to stay if you want to visit Matisse’s Vence Chapel in person.

Everything comes together: the blocky deep green of tightly clipped Cypress – sobering, balancing –  and the exuberant yellow of the mimosa which is made made more heady and electric by the richness of the blue sky.

pool

The swimming pool at La Colombe d’Or.