Tag Archives: Tellima grandiflora

SECRET LONDON BENCHES

INTIMATE PLACES TO SIT – AND MAYBE EAT YOUR LUNCH – SURROUNDED BY PLANTS IN THE CITY

urn 2

Vibrantly planted urn at the centre of the Garden of St John’s Lodge

You are walking through the imposing Avenue Gardens in Regent’s Park.  Maybe you are on your way to the Frieze Art Fair, or to the zoo or returning from a doctor’s appointment or a shopping trip.  There is something gracious and international – Parisian almost – about the perfect symmetry and the monumental scale of the avenues and the formal gardens which flank them but you might feel a little lonely here amongst the glowering, repeated foliage and inky topiary sitting on a bench unwrapping your lunchtime sandwich: 

side view avenue regents parkRegent’s Park, London
avenue regents park
Regent’s Park, London

IMG_2198 (3)Avenue Garden, Regent’s Park London

If you move away from the immaculate paths you will of course come across some gorgeous surprises – when I visit a few days ago, the ripening fruits of this strawberry tree, Arbutus unedo, has the brilliant primitive energy of a Henri Rousseau painting:

arbutus unedofruits of Arbutus unedo – the Strawberry Tree

And it is exciting to venture further off the main drag (just off the Inner Circle near to the junction with Chester Road) and discover the peaceful, intimate Garden of St John’s Lodge.

 St John’s Lodge was the first elegant white stucco villa built in John Nash’s Regent’s Park. The house, finished in 1819, was originally (and is now again) a private residence, but it has had various other lives as headquarters of the RNIB and as Bedford College, London University.  In 1888 the then owner, the 3rd Marquess of Bute, commissioned Robert Weir Schultz to create a garden ‘fit for meditation’. The garden  – with its feeling of enclosure, a series of comfortable garden rooms around a circular central space – has been open to the public since 1928 when the Cabinet decreed that more of Regent’s Park should be accessible to Londoners.

The garden was renovated by Colvin and Moggridge in 1994 and the style of planting is as soft and natural as the outer world of the Park is restrained and formal.  Even at the end of October vibrant mounds of Erysimum ‘Bowles Mauve’ spill over onto the sunken lawns.

Erysimum bowles mauveErysimum ‘Bowles’s Mauve’

bench at st johnsA high backed wooden bench surrounded by geraniums, Viburnum davidii, and ferns

There are handsome high backed wooden benches, sensitively set apart from each other and enclosed in wonderful arbours of green. In summer the generous benches are framed with trailing clematis and wisteria. In autumn they are still encased in a booth of green: a classic but enduringly effective combination of geraniums, glossy Viburnum davidii and ferns. Here the bench itself is rather brilliantly underplanted with Sarcococca confusa – Christmas Box – which will provide a delicious, secret supply of heady scent in late winter.

I am running late and trying to leave the garden with a view to returning as soon as I can, when my eye is drawn to the brilliant coral planting of a huge urn, glimpsed through an arch formed in a hedge of lime trees, with white Japanese anemones lining a tunnel-like path and luring me to come closer.

longest view urn

Giant urn enclosed by a circle of Limes, Garden of St John’s Lodge

I cannot resist and move forward to take a look. As I approach the fringe of back-lit, lime leaves glows a brilliant green:

urn through fringe limeThe urn seen through a fringe of brilliant green lime leaves

The winter planting of the urn is not quite finished but it is rather sensational:  young plants of Cornus sanguinea ‘Midwinter Fire’ amongst salmon, plum and toffee-coloured winter pansies against a densely scalloped backdrop of dark green:

close up urnClose up of the urn with Cornus sanguinea ‘Midwinter Fire’, winter pansies and trailing ivy

Clutching my new London secret garden to me, I walk down the hill that evening with my family to our brilliant local cinema, Peckham Plex.  I am thrilled to see that my evening of enjoyable but ridiculous adventure (Gone Girl) is made sweeter by the sudden arrival of ‘Rye Lane Orchard’ – a series of fruiting trees in galvanised metal containers that now line the unglamorous path between McDonald’s and the cinema:
rye lane establish 1

Rye Lane Orchard, Peckham

rye lane establish 2

 Rye Lane Orchard, Peckham

There are red and white stripey benches to perch on while waiting for a friend:

rye lane establsh girl perchingPerching Bench, Rye Lane Orchard

Or two of you could arrange to meet up and have a drink or a chat:

bench peckham orchardBench for two in Rye Lane Orchard

I love the gentle orange red of the crab apples against the harsher 1970’s brick buildings:

crab apple close upClose up of Crab Apples, Rye Lane Orchard

I like the simple, thorough, industrial style of the labelling:

IMG_8188And I like the way that you can quietly find out more about how the trees got here if you want to:
IMG_8190
And the slightly out of place – but hats-off-for-trying – addition of recipes and information about the trees :
hazlenut G

When I get home I do want to know more. I find out that the ‘Orchard’ arrived in fact in April 2014 and will remain as part of an experiment in enriching this urban, bustling part of South London with plants for a couple of years. It was originally part of ‘Octavia’s Orchard’, an innovative 2013 collaboration between The South Bank, The National Trust and architects, ‘What if: project’  – for which a greater collection of trees and benches spent the summer on the South Bank.  I am intrigued to learn that the original project was named for Octavia Hill who not only founded the National Trust but also campaigned powerfully for everyone to have access to green spaces “the sight of sky and of things growing” – I had not known that securing public access to Parliament Hill FIelds, Vauxhall Park and Brockwell Park were just some of her triumphs.  If you think the National Trust is too cosy, even slightly old fashioned it is worth remembering Ms Hill’s founding fire nearly 120 years ago: “Destruction of open spaces is imminent because we are all so accustomed to treat money value as if it were the only real value”.

slg may benchThe Fox Garden, South London Gallery, in May – the path lit up with Libertia grandiflora

Elsewhere in Peckham there is another secret garden you should know about – The Fox Garden at the leading contemporary art gallery, The South London Gallery.  I have to come clean that this is a garden I am closely involved with (I designed the planting for the garden with my partner, Helen Fraser) and it is one of our favourite projects.  It is such a beautiful space – flanked on one side by the towering wall of the original  Gallery, (opened in 1891 – around the same time that Octavia Hill was gearing up to co-create the National Trust), and framed at each end by the elegant Clore Studio and No. 67 Cafe, designed by 6a architects. Also, and perhaps most importantly, the garden is open to everyone, every day except Monday, and like the Gallery itself, free to visit. It was the vision of gallery director, Margot Heller, that led to us becoming involved: she was adamant that this was an opportunity to provide a surprising seasonally rich garden within the gallery walls, only steps away from the gritty reality of Peckham Road.

Here, on simple oak benches , you can eat your lunch surrounded by a palette of plants which changes significantly as the year progresses:

slg janThe rich palette of The Fox Garden in January – Libertia grandiflora foliage and the red berries of Nandina domestica 

slg spring

The same Nandina in spring, this time illuminated by the pale spires of Tellima grandiflora

slg phaeum plus heuchera cylindricaPale claret flowers of Geranium phaeum with skinny green spires of Heuchera cylindrica in May

slg cornusJune: the beautiful milky bracts of the enormous Cornus Kousa var. chinensis that fill the glass windows of the cafe.

The garden surprises with scent too at different times of year – mounds of Sarcococca confusa flank the path at each end of the garden and the scent of Philadelphus fills the space in June.  And of course sometimes an artist will want to use the garden as part of the Gallery space itself. Until 23 November 2014 you can eat your lunch contemplating the elegant, swooping ‘wall sculpture’ by Lawrence Weiner – part of his ALL IN DUE COURSE exhibition in the main gallery:

IMG_2232

Lawrence Weiner wall sculpture on expansive Victorian Gallery/Fox Garden wall
IMG_2231

Close up Lawrence Weiner wall sculpture on SLG Gallery/Fox Garden wall

A short journey away by train and tube is the place to find London’s most brilliantly colourful benches to sit and eat on:

IMG_8129

Bench surrounded by `Salvia uliginosa, Salvia involucrata ‘Bethellii’ and Rudbeckia

Iinner temple bench with miscanthusBench with Miscanthus sinesnsis, Salvia leucantha and Salvia involucrata ‘Bethellii’ spilling over

This is the garden of the Inner Temple which is gardened with wonderful energy and originality by Head Gardener, Andrea Brunsendorf – and is a place not only for learned, dark-suited lawyers to come into the sun for a few moments but is again open to everyone from 12.30 to 3.00 each weekday:

inner temple bence establish

Andrea is well known for her exuberant late summer borders (but please check out the garden at tulip time and come again to see the Peony Garden in full bloom). Here in late October, the borders make you smile with their exuberance:inner temple spilling over



IMG_8060

IMG_8062You can tell the way it is gardened by the relaxed bearing of the self seeded verbascum on the garden steps:

verbascum on stepsSelf seeded Verbascum on Inner Temple Garden Steps

And by the celebratory way the Verbascum petals are allowed to linger like stars on the stone steps:

verbascum petalsIndividual Verbascum flowers against stone

Peak through the railings on your way to court and you will catch the orange flash of tangled mexican sunflowers – Tithonia rotundifolia :

orange against orange brickOr you might stop to admire silky clematis seed heads spilling out onto the pavement:
close up clematis seed headClematis seedhead

Or maybe you will wonder – as I did – about the amazing shrubby plant flanking the entrance with tulip shaped leaves and yellow pea like flowers?amicia

Amicia zygomeris flanking the steps

IMG_8053

Close up of Amicia zygomeris

Andrea kindly put me out of my misery and revealed this plant to be a fantastic woody-based perennial which can survive a temperature of -14 degrees celsius (it will regenerate if cut down by frost) – a brilliant, or as Christopher Lloyd puts it ‘unexpectedly stylish’ foliage plant for a courtyard garden.  I remembered in fact that there is the most beautiful stand of this Amicia in the Exotic Garden at Great Dixter – I had been drawn to the purple veining of its leaves and stipules but had never seen it flower …
amicia dixterAmicia zygomeris at Great Dixter

Walking down the steps to the main body of the garden the autumn sunshine has a magical dancing effect on the surprisingly relaxed planting on either side:

miscanthus sinensis 'unidine' with Verbena hastata 'Rosea'Miscanthus sinensis ‘Unidine’ with Verbena hastata ‘Rosea’

IMG_8056

Teasels back lit by the autumn sunshine

Here you will find quieter, shadier places to sit:  I loved this benches’ backdrop of Begonia grandis subsp. Evansiana 

IMG_8073

Begonia is not used often enough as a late flowering plant for shade: in the Inner Temple Garden it is brilliantly and simply combined with Hydrangea arborescens ‘Annabelle’:

IMG_8093

Begonia grandis subsp. evansiana with Hydrangea arborescens ‘Annabelle’

IMG_8103IMG_8102Close up elegant flowers of Begonia grandis subsp. Evansiana

There is one further, perfectly positioned bench, a quiet bench in an arking canopy of just turning greens and yellows:

IMG_8071

This bench reminds me suddenly of my fig tree at home – that fantastic moment between green and yellow:

IMG_8176still Matisse green fig leaves

yellowed fig leafI realise I will be back here again tomorrow. Just round the corner is the Temple Church where one of my sons is singing.  I love these connections between art and gardens and film and trees and gardens and music.  Come to the concert tomorrow and try to visit the Inner Temple Garden whenever you can.

IMG_0008


















MATISSE: THE CUT OUTS AND THE GARDEN AT PETERSHAM

HENRI MATISSE AT TATE MODERN AND A JOYOUS LATE SPRING BORDER AT PETERSHAM HOUSE

le snip

Matisse in his studio working on his Cut-Outs – from Issue 31 Tate Etc Magazine.

What would you wear if you were a beautiful young woman, already living with Picasso, and about to be introduced to the older artist, Henri Matisse, who you regard as ‘God’?

IMG_0003

Françoise Gilot holding a red gladiolus, photographed by Gjon Mili, 1948.

There is a wonderful series of interviews in the latest edition of Tate Etc magazine which celebrates the uplifting Matisse: The Cut-Outs exhibition at Tate Modern. I loved discovering that the young woman in question, Françoise Gilot, decided on her outfit with knowing precision: “I remember very clearly that I dressed in almond silk trousers and a mauve silk top, because I knew he liked those colours”.

The choice hit the spot and during the course of their subsequent friendship Matisse drew and corresponded with Gilot, relishing the disconcerting impact his attention had on the the ten year junior, Picasso.   In the same interview Gillot gives a riveting description of watching Matisse make an abstract portrait of her in 1947.

IMG_0003

Henri Matisse’s gouache cut-out Abstract Portrait of Françoise Gilot (1947).

“He got hold of a sheet of paper, painted bright green and a piece of magenta paper and considered the shocking clash of these two colours and the sobering effect that would be achieved by the addition of a black shape”.  Initially Matisse was frustrated with the black shape he had made for the bottom right of the piece. “The whole composition looked too even, a bit dull …with his gigantic scissors he began to reduce it mercilessly until it became quite small and sharp edged.  All the prettiness had been eliminated but in the process of miniaturisation, the energy had been maximised … it was perfect”.

And so to gardens.  Even if they are never able to come near the perfection of one of these masterful works on paper or in glass – and the stability of a completed artwork will always elude the gardener – the best plantsmen are forever thinking deeply about the elements they work with. The challenge is constant: how best to balance shape and colour, form and texture and the impact of a small amount or large amount of one colour on a small amount or large amount of another.

establishing shot double border

The 150 foot long double border at Petersham House, Petersham.

The garden at Petersham House, reached via the delectable Petersham Nurseries, was open for the National Gardens Scheme one Sunday at the end of April and will be open again on June 1st as part of the Petersham Village Open Gardens, as well as on Sunday 20th July for the NGS. The double borders were originally designed by landscape architect Helen Dooley and have been gently adjusted over the years by the Head Gardener, Rosie Bines. They  are a wonderful example of exuberant spring planting and a skillful and inspiring approach to colour, form and texture.

The long borders at Petersham House lie beyond the slightly severe lawned garden with its handsome topiary chess piece like shapes emerging from columns of yew:

unfinished topiary

Unfinished topiary shape
finished topiary

and a complete topiary shape.

The shapes work best when viewed together with Petersham Church beyond – balancing its handsome curves and domes:
IMG_3139

Petersham Church and the garden of Petersham House.

For a moment I am distracted by piece after piece of covetable antique garden furniture which is beginning to feel at home amongst bowers of rambling roses and enclosures of clipped yew – and one cannot fail to be distracted of course by the watchful Anthony Gormley sculpture standing quietly on the grass.

gormley

Serpent bench in bower with Anthony Gormley sculpture.more gorgeous benchesone of a pair of covetable curvaceous dining benches in a yew enclosure.

But your heart really starts to race when you step through the gates beyond which the borders have been doggedly trying to catch your attention from the moment you arrive. The colours are rich and gorgeous against a classic framework of tightly clipped dark yew hedges and wonderful bold buttresses of rounded yew – and the balance changes constantly:

IMG_3208 (5)Fiery orange heads of Euphorbia grifitthii ‘Fireglow’ glow against the acid yellow of a different Euphorbia.

IMG_3196Dark tulips, pointed buds of Nectaroscordum siculum and subdued foliage of Macleaya Cordata.

Using yew as a dark background in a garden has the same ‘sobering effect’ on bright colours as black does for Matisse – it both subdues and energises:

thalictrum against yew

Fluffy, pale pink Thalictrum aquilegiifolium against yew.crocosima against yewSword shaped leaves of Crocosmia and Tellima grandiflora against yew.rheum characias yew

A spectacular combination of Rheum palmatum, bluebells, red tulips and Euphorbia against yew.

In another Tate Etc interview, Jacqueline Duhême, Matisse’s assistant from 1947-49, described how Matisse, worked on the design for the stained-glass windows for the Chapel of the Rosarie in Vence: he would lay down piece after piece of coloured paper until he had obtained the right “density that still let the light shine through.”

IMG_0003Jaqueline Duhême standing in front of designs for the Tree of Life stained-glass window for the Chapel of the Rosary, Vence.

imagesDisplay from ‘Henri Matisse: The Cut-Outs’ showing the range of colours Matisse was using.

Of course, working with plants, it is only in the more theatrical – and ultimately artificial – context of a flower show that this sort of immediate creation of an entire picture can take place. Visiting the RHS Chelsea Flower Show during the build stage last week, we chatted with wonderful plantswoman Chris Marchant of Orchard Dene Nursery about whether or not Cleve West would add a scattering of orange poppies to his already beautiful M&G garden.  A delicate sugar pink annual poppy was working brilliantly amongst the shimmering green-blond stems of Stipa gigantea, purple honesty and pale yellow evening primrose:

pink poppy

How would the richer note of the orange poppies, still in their trays at the side of the garden affect the whole picture?

I am finishing this blog after spending the day at Chelsea and the answer is that, in the end, the decision was to go for both pale pink and orange-red poppies.  The deep orange poppies offer a dash of fire which has a powerful, intensifying effect on the gentler tones of the surrounding plants.

orange poppy 2

Part of Cleve West’s M&G Garden, RHS Chelsea Flower Show 2014 – with orange-red poppies at the centre.

Away from the show garden most plant choices have to be made months or years before they will be required to work together. Here at Petersham the planning and weighing up of possibilities is bearing fantastic fruit.

The parallel idea of using a flash of crimson as a source of contrasting energy has worked brilliantly:

Tulip and RheumRed tulip against giant Rheum palmatum foliage.
the red tulipA single red tulip glows like a light bulb against blues and claret.

Elsewhere the pale green bell-like flowers of Tellima grandiflora add light and grace to the planting throughout the border.

IMG_3161 (2)

Tellima grandiflora 
tellima amongst camssaia
Tellima grandiflora adding a lightness to Camassia.

And the clever use of the diminutive rusty flowered Euphorbia dulcis ‘Chameleon’ adds depth and a deft subtlety to the planting:

dark euphorbia

Euphorbia dulcis  ‘Chameleon’ adding depth to lilac honesty and tulips.

The swathes of vivid blue Camassia have a surprisingly powerful effect on the surrounding colours – the coolness of the blue somehow makes the contrasting colours sing more loudly:

IMG_3232_2

I am reminded again of Jacqueline Duhême’s recollection of her time assisting Matisse: “there was always one colour that would make the others come to light and for Matisse it was usually blue that made the yellows, oranges and reds brighter”.

At Petersham this late spring border is full of signs of the way the garden is about to change. This rounded oriental poppy bud is on the verge of bursting open into a ball of colour:

IMG_3211_2 Bud of oriental poppy.

Torch-like shrubs of alternating claret and bright green Cotinus parade up the borders – their leaves growing daily and the pool of colour they provide getting bigger and having more influence day by day:torches of cotinusCotinus shrubs parade up the borders.

And the lush green leaves of Crambe cordfolia, which for now sit so demurely at the feet of the handsome yew acorns, will soon spin out into such huge airy clouds of white flower that for a while you will barely be able to squeeze past. The picture is about to change completely.
crambe

Crambe cordifolia leaves (left) at the base of a topiary yew acorn.

I make my way back from this private garden to the public Petersham Nurseries – back through a lovely ornamental potager with pale wigwams of papery silver birch:

kitchen garden 1Silver birch plant supports underplanted with herbs and narcissus.

I pass a wonderful small fleet of fat terracotta pots each housing a greedy artichoke plant.

IMG_3123
It is a delight to see a young chef darting around the kitchen garden collecting flowers of borage, thyme and chives to use in the cafe and restaurant:IMG_3257 And I love the way that tulips and cow parsley are growing together with the culinary herbs:IMG_3262Purple sage with tulips and cow parsley.

Next to the garden gate is a luscious patch of blousy peach coloured tulips, Tulipa ‘La Belle Epoque’. I absolutely want some of these to plant next September.

IMG_3122

Tulipa ‘La Belle Époque’

I chat on the way out to Rosie Bines.  I tell her how much I admire her work and she tells me that she likes my favourite, ancient, tomato-soup coloured gardening mac.  I am glad, obviously, that I had worn something that more or less suited the garden …

IMG_3561

My tomato-soup coloured gardening mac.

On the pin board above my desk I have a beautiful Matisse touchstone: a postcard of a black cut-out leaf against mint green from the Royal Academy Matisse exhibition of 2005:

matisse leaf

Next to it is a photograph of my idea of the ultimate swimming pool –  the pool at the hotel, La Colombe D’Or in St Paul de Vence in the South of France.  It is, of course, the perfect place to stay if you want to visit Matisse’s Vence Chapel in person.

Everything comes together: the blocky deep green of tightly clipped Cypress – sobering, balancing –  and the exuberant yellow of the mimosa which is made made more heady and electric by the richness of the blue sky.

pool

The swimming pool at La Colombe d’Or.